Object Of Study Fuck On National Television

Object of Study: On February 12, 2017, Adele uttered â€Å"fuck† on national television during her Grammy’s performance. Adele said, â€Å"I fucked up, I can’t do it again like last year,† during her tribute to the late George Michael, who was a role model to Adele (Unterberger). Adele had started her tribute song, but her vocals were off and so she stopped, uttered the word â€Å"fuck† on live TV, and then started over, saying, â€Å"I’m sorry for swearing and I’m sorry for starting again. Can we please start it again? I’m sorry, I can’t mess this up for him† (Coscarelli). This incident was reported on nationally and internationally, due to the international audience of the Grammys and due to the fact that Adele herself is from the UK. None of the reports on†¦show more content†¦The Grammys was only a little over a month after the passing of George Michael. While Adele was paying tribute to her departed friend, she messed up and was dissatisfied with her performance, which is why she uttered a profane word on live television. e) Genre: public memorial / tributary performance f) Exigency: Adele is a public figure and a role model to many young viewers in particular. When Adele said a profane word on live television, this reached her fans everywhere, many of them being children. It is important for role models to understand their role in young fans’ lives, and also for society to understand that role models are not perfect human beings and may slip up from time-to-time. Framework: Grief and Coping Strategies Method Source 1: â€Å"Gender Differences in Grief Reaction Following The Death of A Parent† by Elizabeth Lawrence et al. Elizabeth Lawrence et al. wrote a psychological research article titled, â€Å"Gender Differences in Grief Reaction Following The Death of A Parent,† which was published in 2006 in Omega: Journal of Death Dying (Lawrence, et al. 323). The article’s research question was whether or not there was a difference between how men and women coped with grief; the results of the research were that females were more likely to experience adverse consequences than males (Lawrence, etShow MoreRelatedKeep It Classy Never Trashy!1799 Words   |  7 Pagesdegradation of the media promotes these statements through popular music, television, and the influence on the younger generation, the overall self-worth of black women aspiring for success is spiraling downward. â€Å"Bitches ain’t shit, but hoes and tricks†, â€Å"If my main bitch ain’t acting right, it’s nothing to call my side bitch†, â€Å"It must be your ass because it ain’t your face† and â€Å"She telling me to tie up the knot, but I fuck her and kick her out of my spot.† These lyrics are all from the most knownRead MoreHip Hop : A Cultural Movement And Popular Genre Of Music Essay1920 Words   |  8 Pagesenvironment (such as high school) where their actions are rarely challenged. Furthermore, even at home, adolescents see gender stereotypical behavior on television. Past studies have found that the portrayal of gender roles and sexuality in youth media has provoked and maintained stereotypical gender-role schemas (Ter Bogt , 2010). Ter Bogt’s study focused on how the exposure to and preferences of TV, music styles/music TV, and internet influence an adolescents’ sexual attitudes and use of gender stereotypesRead More Gender Dichotomies on MTV Essay4969 Words   |  20 Pagesdistinguishable from any other manipulated object. On an MTV special, When Sex Goes Pop the host Chris Connelly said, Some women in videos don’t get to be themselves, in a raft of rock and hip hop videos they get turned into pieces of booty served up for the pleasure of men. This is not to say that exploitation is always against the female’s will. Many women allow themselves to be sexualized because wage disparities often force them into accepting such treatment. A study of the wage gap between men andRead MoreRhetorical Analysis Of Harold Pinter s The Room 9709 Words   |  39 Pagesindelible mark in the mind of the young Pinter and he developed a growing hatred, disgust and fear against violence of all forms especially the atrocities and bloodshed associated with war. It also paved the way for Pinter’s decision of not joining National Service on reaching the age of eighteen in 1948. As a conscie ntious objector, he had to appear before two tribunals but could not be forced to go to war. He was not sent to prison as it was a civil offence and he was below twenty one. In both the