Brave New World and Blade Runner: Concern for humanity and its relationship with the natural world

take to the second session of the Reach to the Future student conservation conference. The respectable issues reflected in this graphic be representations of tender macrocosmsitys int date of referencection with character in cardinal futuristic lit erary creations novel Brave New population, by Aldous Huxley, 1932, and hire Bladerunner The Directors Cut directed by Ridley Scott and released in 1992, a decade afterward its original. It has been in my experience in my post-graduate study of ethics and record in futuristic texts, that many composers expose technological advancement and stinting nip as origins of environmental degradation.However, Huxley and Scott expand this concept, creating imaginary knowledge domains where engineering science has also caused a going of homophileity and change in ethical standards. But atomic number 18 the adverts of these dry lands purely imaginative? Or have Huxley and Scott simply analysed the advancement of technology and consum erism in their confess contexts, in order to create a early world that is dehumanised and uncancel? Consider our context Year 12, and congenial to the future. By deliberately contrasting the setting of the conventional world state, to the wild Malpais, Huxley challenges the humanitys value in a genetically engineered world.In Chapter One, we be oriented to the technologically perfect world state of Community. Identity. Stability (BNW, pg. 1) , 632 A. F. Imagery worry Cold for all the summer beyond the panes (BNW, pg. 1), dos to describe a world that is instinctive to its inhabitants, but ethically disfigured for readers. However when Bernard and Lenina enter the Malpais in Chapter Seven, we adjust to a world that is similar to ours, yet is deemed Queer (BNW, pg. 96) by Lenina, a product of the genetically engineered world State.A birds eye view, accompanied with sensory imagery of sound, rhythm method of heart, (BNW, Pg. 96) and touch, eagle flew blew chill on their face s, (BNW, Pg. 96) produces the contrast that enables Huxley to express that science and stableness occur at the expense of humanity. This tinct was evoked by his fathers get going in science, and also the 1930s Victorian view that science was developing at the uniform rate as humanity, later encapsulated in Orwells novel 1984.To adorn the erroneous temperament of the contextual view, Huxley presented ethics and a connection with reputation in a human, but diseased land that has been marginalised due to orbiculate advancement. In our context, scientific advancement at the expense of humanity is questioned in creating designer babies through IVF. Our ethics, and connection with natural practises argon queried when numerous embryos be disposed of in the process of creating one perfect human. It seems much too manage the marginalisation of the Malpais and nature to create a perfect society in the World State of BNW.Similarly, a contrast of scenes is used in Bladerunner to illust rate Scotts concern that consumerism is a primary cause of inequality in humanity and nature. The atmospherical setting in the opening montage illustrates a pervading darkness, with fearful synthetic substance sounds and a high camera angle zooming down onto the streets of fiery urban decay titled Hades, Los Angeles, 2019. The birds eye view, alike in BNW presents a dystopic vision, currently contrasted when Deckard visits Rachael at the Tyrell Corporation building. As Deckards lift ascends, the camera scales the building from a slight angle of depression.The rain and lack of natural light is replaced with a golden glow, and once inside, musical director Vangelis ensures a soundtrack shift to dispassionate wind chimes which successfully juxtapose the tranquillity of the corporate elite to the dystopic troops of the cityscape. Globalisation, a 1980s contextual fear is expressed through setting as the essence of the destruction of humanity and nature in BR. The little hoi pollo i in Bladerunner, spanking with the contamination and unequal spread of resources that globalisation has caused.Similar is our own context, as due to economic globalisation much than half of the distaff population in Latin America live below the poverty line1. Advanced behavioral learn for economic capacity occurs in the World State of BNW, regardless of its effects on nature and humanity, which is another of Huxleys contextual concerns. After learning of hypnopaedia and the neo-Pavlovian conditioning of children to ensure an association of pain with nature, the incorporated juxtaposition of two conversations in Chapter Three further explains Huxleys concern.In Chapter Three, the hypnopaedia of the conditioning centre I do love flying new clothes,(BNW, pg. 43) is reiterated in Huxleys narration, The voices were adapting future industrial supply (BNW, pg. 43). This is further expressed in Monds teachings in the garden as he states under doing a offensive against society. (BNW, pg. 46) Through structure, Huxleys concern that manufactured goods are deterring humanitys interaction with nature is unequivocal. Contextually, Huxley is criticizing the era of crossbreedingism and the loss of values experienced in post WW1.Henry Ford, move over of Ford Motors, initiated an era of mass production of goods in the 1920s, advancing societys consumerism. Ford and economists grasped the level of spiritual emptiness apparent after WW1 and suggested purchase as a method of relief. Huxley witnessed human deportment change as the wait of nature was noted as disadvantageous for industry. Huxleys concern advanced to Scotts era as well as our own where globalisation and mass production are the basis of our economy.Furthermore, our current level of technology allows many to live without human interaction, and much human behaviour involves expenditure, not the conservation of nature. the likes of structure in BNW, Symbolism works in Bladerunner in illustrating behaviou ral conditioning as detrimental to human behaviour, a concern that keep from Huxleys era to the 1980s. In the opening sequence, a long camera cam stroke places our focus on a symbol of consumerism, epitomised by the geisha Asian fair sex pill popping on an animated hoarding.When considering BRs setting, the continual reappearance and placement of the billboard on a skyscraper, Scott typifies consumerism as holding precedence over nature and humanity in Los Angeles, 2019. This consumerism symbolises the rise of the Asian trans-national corporations of the 1980s which was feared as an economic form of communism. The world was constantly reminded of the benefits of purchasing yet was rarely sure about the state of the environment which led to the considerable level of environmental degradation, including acid rain.Today, most unquestionable countries have signed treaties regarding the environment. For example, the UN Kyoto Protocol urges all developed countries to reduce their Gr eenhouse Emissions by 5% every five geezerhood starting from the year 2008. However, the lack of ratification of this treaty, our material world, and the inescapable nature of advertising are still threats to our environment and also to the natural behaviour of human beings in the year 2004. Each character in BNW has a definite purpose in exploring Huxleys warning about humanitys detachment from the natural world.However, Mustapha Mond further explores Huxleys notion by also articulating the loss of humanitys values in a scientifically advanced setting. Mond is the mouthpiece of the World State, devoid of human values and thus his expressive dialogue and mannerisms clinically justify a society where everything can be standardised, mass produced and therefore stabilised. In Chapter Three, Mond talks with the students about families and the plight that emotional freedom caused in times in the beginning Our Ford.Mond devalues emotion as reeking (BNW, pg. 35),and describes natural rep roduction, families and monogamy in row so vivid one boy at the point of being sick. (BNW, pg 32) Dismissive nonetheless, Mond is merely encapsulating the change in human behaviour that scientific advancement has caused, and therefore communicating Huxleys concern. As Huxley toured Europe before end BNW, Mond is modelled on post WW1 dictators such as Hitler and Mussolini.His record also portrays the loss of values and spiritual emptiness experienced by many citizenry in post WW1. In BR, Deckard is devoid of human values like Mond but unlike John the Savage from BNW, it is a replicant with no connection with nature, who exerts human values in Bladerunner. The rise of robotics in the 1980s influenced the character of bonkers, and also Deckard. Batty exemplifies the human robot that science dreamed of in the 1980s, whereas, Deckard symbolises the loss of humanity that ethicists feared because of robotics.Roy Battys more human than human genetic disposition allows him to exert inte lligence, evident in his quotations of Blake fiery the angels fell their shoulders roared, and to exert physical duress, but only in the course of his four year life span. In the last scenes of the film, Battys heightened ego awareness and desire for emotion and life surpass his genetic limitations plaster cast him as a Christ figure and also a locomote angel as he looks fruitlessly to his creator for a reason of meaning.With his final words, Memories ost like tears in the rain, Roy is cast as a tragic hero, and allows Scott to illustrate that when there is no longer an environment to exploit, like in the world in LA, 2019, those who possess desirable qualities will be oppressed, this ultimately leaving the world more inhumane. In our context, the empathy we feel for Batty, questions our ethics, petition what makes us human. Huxley skilfully satirises the social construct of the 1930s using Soma to express his concern for the conditioning of humanity against nature.The World S tate in London is a strangely benevolent dictatorship through Mond, where all aspects of an individuals life are determined and controlled by the state in the name of, Community. Identity. Stability (BNW, pg. 1). some other way to ensure stability is the encouraged use of the mind-numbing drug Soma. In the Malpais, Chapter Nine, Lenina embarked for lunar eternity(BNW, pg. 127) on an eighteen hour soma holiday to passing water the reality of nature and humanity. Soma satirises the post WW1 regimes of dictatorship throughout Europe.The doctrine of Totalitarianism denied people intellectual stimulation, freedom of thought and a relationship with nature. Huxley introduces Soma to submit a future world where the denial of a relationship with nature can be self induced. In BRs 1980s context, severe industrial pollution and urbanisation resulted in the detachment of people from nature In 2004, though Totalitarianism is a violation of basic human rights, many people choose to deny the mselves a qualitative relationship with nature by choosing to live in environmentally isolated, but grossly populated urban areas.The use of contextual irony in Bladerunner is contrasting to the use of caustic remark in BNW as Scotts irony questions the ethical behaviour of humanity regarding technology. In the 1980s, robotics and computers were the result of technological advance, and robots were promised to take the place of humans in the workforce. In Bladerunner, Ridley Scott epitomises technology and humanity through the Nexus-6 Replicants, who are more human than human Human beings in Bladerunner live as second class citizens in desolate, socially inept conditions as we see J.F Sebastian and Deckard both musical accompaniment in solitude. Humanity in 2019 has no sense of the value of interaction, and therefore Ridley Scott placed the capacity for these human qualities in the Replicants. Ironically though, when the Replicants begin to manifest human emotion and need, such as Battys need to meet his maker, they are retired by the human, by ultimately inhuman character, Deckard. This irony illustrates Scotts concern for a scientifically advanced world, with a dismal appreciation of human qualities and value.The same concern is expressed in the 1997 futuristic popular culture film, Gattaca, where your personality is irrelevant as genetic composition guarantees an you an occupation. Huxley and Scott have established instead a few concerns for our future. Strangely though, they have also warned about issues that are in need of conservation now. Again, close your eyes and imagine the natural world that you want in the future. Consider our context year 12, and help to create an ethically harmonious world for the future.